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To Avoid Fainting, Keep Repeating “It’s only a Remake…”
Welcome back, my friends, to Castle Rackula. Prepare for an unusually long and discursive post this week.
I’ve been in the castle’s library for the past few nights boning up on the latest actresses, and I got a chance to do a little reading while I was at it. Therefore I decided to take a more scholarly approach to this week’s subject, the upcoming Last Louse on the Left remake.
But don’t worry, I haven’t forgotten to include plenty of nudition to accompany all the erudition.
Read more after the bite.

Softcore super-siren Andrea Davis has been hailed for having the largest, longest, and most lickably illustrious nipples in contemporary sexploitation. Now she’s gone and done something unthinkable and unspankable. Come joining us in mourning over not coming.
That’s Hollywood! was a late-'70s/early-’80s syndicated TV series doling out admirable half-hour cinema history lessons that were narrated by the dulcet tones of Mr. Tom Bosley. Before VCRs and instant access to more movie clips than anyone could possibly stand, this and Siskel and Ebert served as methadone to movie freaks between big-screen fixes. The show has become something of a minor cult item, and never moreso than in the instance of its episode dedicated to big cult movies.
The finest nudity-laden films of 2008 include two horror hits, and a comedy featuring the naked asshole, vagina, and pert little suck-sacks of Meg McCarville, who was Andrea Davis’s main competition in the realm of superhumanly succulent nipples, and who know has the crown all to herself. Congratulations to us. Click the nips for more.

To visit New York City in the 21st century, particularly its central Times Square district, is to be overwhelmed by dazzling modern commerce and family-friendly corporate entertainment at its most visually spectacular.
Such was not always the case. Just consider what motivated an organization called Women Against Pornography (WAP, for short) to march on Times Square on this date in 1979.
Click the hot chicks to learn more.

Two years before The Texas Chain Saw Massacre and three whole decades before the “torture porn” outrages of the Saw and Hostel franchises, director Wes Craven’s Last House on the Left set a new standard for fright-flick brutality by merging merciless violence with horrific sexuality.
Last House on the Left changed movies forever -- all movies, not just exploitation films -- and it made its first indelible marks on this date in 1972
Press play for sample of what makes Last House remain so shocking, then leap forward to learn more about this milestone of mayhem.
Members get Instant Access to Nude Reviews of her and…